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User:Jigen III

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About me

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Editing since 13 October 2004!

References for my convenience

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Current interests

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Past interests

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Architecture and its styles, Atlas of world history and other neat maps, Certainty, the European Union and the Eurozone (and other attempts at economic integration), Existentialism, Megaregions of the United States, Metrication in the United States, Military-related articles (e.g. Badges of the United States Navy, List of United States Army careers, Uniforms of the United States Military, United States Army branch insignia), Penny debate in the United States, Philosophy (aesthetics, epistemology, ethics, logic, metaphysics), Psychology, Sociology, and Unit Load Device


Wood carving of the Annunciation from the Kefermarkt altarpiece
The Kefermarkt altarpiece is a richly decorated wooden altarpiece in the Late Gothic style in the parish church of Kefermarkt in Upper Austria. Commissioned by the knight Christoph von Zelking, it was completed around 1497. Saints Peter, Wolfgang and Christopher are depicted in the central section. The wing panels depict scenes from the life of Mary, and the altarpiece also has an intricate superstructure and two side figures of Saints George and Florian. The identity of its maker, known by the notname Master of the Kefermarkt Altarpiece, is unknown, but at least two skilled sculptors appear to have created the main statuary. Throughout the centuries, it has been altered and lost its original paint and gilding; a major restoration was undertaken in the 19th century under the direction of Adalbert Stifter. The altarpiece has been described as "one of the greatest achievements in late-medieval sculpture in the German-speaking area". This image shows the upper-right wing panel of the Kefermarkt altarpiece, depicting the Annunciation. Mary is portrayed kneeling in a praying stool inside a half-open structure, supported by unusually carved pillars, crowned above their capitals with figures which are probably intended to be prophets from the Old Testament. The archangel Gabriel is entering the structure, and holds a speech scroll where parts of his greeting, the Ave Maria, is visible. In the upper-left corner is a depiction of God the Father among clouds and flanked by two angels. The panel originally also contained a dove, the symbol of the Holy Spirit, but it has been lost.Sculpture credit: Master of the Kefermarkt Altarpiece; photographed by Uoaei1